Lifestyles and New Product Development
Informacje ogólne
Kod przedmiotu: | 236721-D |
Kod Erasmus / ISCED: |
14.0
|
Nazwa przedmiotu: | Lifestyles and New Product Development |
Jednostka: | Szkoła Główna Handlowa w Warszawie |
Grupy: |
Przedmioty kierunkowe do wyboru SMMD-EBI |
Punkty ECTS i inne: |
3.00 (zmienne w czasie)
|
Język prowadzenia: | angielski |
Efekty uczenia się: |
Wiedza: The students will have acquired the information on contemporary context of lifestyles: e.g. postmodernity, technological switch. The students will have acquired the most up-to-date knowledge on the following industries most related to lifestyle creation and dissemination: - the design industry - the recording industry The students will have acquired information on new trends in digital and creative economy. Umiejętności: The students will have been able to trace, collect, and co-relate the information on both budding and existing lifestyles . The students will have been able to categorize the information on lifestyles in order to assess which new products can fill in the market demand. The students will have been able to analyse new trends on the market, relating to the digital and creative economy. Kompetencje społeczne: The students will have enhanced their ability to work in group. The students will have practised their skill of evaluating other class' members opinions. |
Zajęcia w cyklu "Semestr letni 2024/25" (jeszcze nie rozpoczęty)
Okres: | 2025-02-15 - 2025-09-30 |
Przejdź do planu
PN WYK
WT ŚR CZ PT |
Typ zajęć: |
Wykład, 30 godzin
|
|
Koordynatorzy: | (brak danych) | |
Prowadzący grup: | Anna Janowska | |
Lista studentów: | (nie masz dostępu) | |
Zaliczenie: |
Przedmiot -
Ocena
Wykład - Ocena |
|
Skrócony opis: |
The course is a series of lectures which cover the ways of identifying, tracing and exploring new lifestyles and new products. It is enhanced with a review of the latest literature on the topic presented via student projects. The course provides an overview of the global producer and the global consumer. It explores the role of the media. It helps identify opportunities for new goods, services and ideas. |
|
Pełny opis: |
This course's objective is to analyze lifestyles in relation to the new product development particularly in the new, digital and postmodernist context. The course presents an overview of the global producer and the global consumer. It helps identify opportunities for new goods, services and ideas as well as certain new concepts of their creation and production (design, user experience design). It analyses such fields as creative and digital economy, collaborative economy, freeconomics, startups, future of work, fashion sector, design sector, as well as smart, creative, digital cities, referring also to climat challenges and new social identities. |
|
Literatura: |
Literatura podstawowa: J. Rifkin, The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism, St. Martin's Press, 2015; Belk, Russell W., Giana M. Eckhardt, and Fleura Bardhi, eds. Handbook of the sharing economy. Edward Elgar Publishing, 2019; Kravets, Olga, et al., eds. The SAGE handbook of consumer culture. Sage, 2017; Fernandez-Pol, Jorge Eduardo, and Charles Harvie. Understanding the Creative Economy and the Future of Employment. Springer Nature, 2020. Literatura uzupełniająca: Handbook on the Digital Creative Economy (ed.) R. Towse, C. Handke, Edward Elgar, Cheltenham 2013 Matathia I. & Salzman M. (2000), Next. Trends for the Near Future, The Overlook Press, Woodstock, New York; Norman, D.A. (2005) Emotional Design: Why We Love (or Hate) Everyday Things, Basic Books; Rosen E. (2000), The Anatomy of Buzz, Doubleday, New York; |
|
Uwagi: |
Kryteria oceniania: kolokwium: 0.00% inne: 20.00% projekty: 50.00% prezentacje indywidualne lub grupowe: 30.00% |
Zajęcia w cyklu "Semestr zimowy 2024/25" (w trakcie)
Okres: | 2024-10-01 - 2025-02-14 |
Przejdź do planu
PN WYK
WT ŚR CZ PT |
Typ zajęć: |
Wykład, 30 godzin
|
|
Koordynatorzy: | (brak danych) | |
Prowadzący grup: | Anna Janowska | |
Lista studentów: | (nie masz dostępu) | |
Zaliczenie: |
Przedmiot -
Ocena
Wykład - Ocena |
|
Skrócony opis: |
The course is a series of lectures which cover the ways of identifying, tracing and exploring new lifestyles and new products. It is enhanced with a review of the latest literature on the topic presented via student projects. The course provides an overview of the global producer and the global consumer. It explores the role of the media. It helps identify opportunities for new goods, services and ideas. |
|
Pełny opis: |
This course's objective is to analyze lifestyles in relation to the new product development particularly in the new, digital and postmodernist context. The course presents an overview of the global producer and the global consumer. It helps identify opportunities for new goods, services and ideas as well as certain new concepts of their creation and production (design, user experience design). It analyses such fields as creative and digital economy, collaborative economy, freeconomics, startups, future of work, fashion sector, design sector, as well as smart, creative, digital cities, referring also to climat challenges and new social identities. |
|
Literatura: |
Literatura podstawowa: J. Rifkin, The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism, St. Martin's Press, 2015; Belk, Russell W., Giana M. Eckhardt, and Fleura Bardhi, eds. Handbook of the sharing economy. Edward Elgar Publishing, 2019; Kravets, Olga, et al., eds. The SAGE handbook of consumer culture. Sage, 2017; Fernandez-Pol, Jorge Eduardo, and Charles Harvie. Understanding the Creative Economy and the Future of Employment. Springer Nature, 2020. Literatura uzupełniająca: Handbook on the Digital Creative Economy (ed.) R. Towse, C. Handke, Edward Elgar, Cheltenham 2013 Matathia I. & Salzman M. (2000), Next. Trends for the Near Future, The Overlook Press, Woodstock, New York; Norman, D.A. (2005) Emotional Design: Why We Love (or Hate) Everyday Things, Basic Books; Rosen E. (2000), The Anatomy of Buzz, Doubleday, New York; |
|
Uwagi: |
Kryteria oceniania: kolokwium: 0.00% inne: 20.00% projekty: 50.00% prezentacje indywidualne lub grupowe: 30.00% |
Zajęcia w cyklu "Semestr letni 2023/24" (zakończony)
Okres: | 2024-02-24 - 2024-09-30 |
Przejdź do planu
PN WT ŚR CZ PT |
Typ zajęć: |
Wykład, 30 godzin
|
|
Koordynatorzy: | (brak danych) | |
Prowadzący grup: | (brak danych) | |
Lista studentów: | (nie masz dostępu) | |
Zaliczenie: |
Przedmiot -
Ocena
Wykład - Ocena |
|
Skrócony opis: |
The course is a series of lectures which cover the ways of identifying, tracing and exploring new lifestyles and new products. It is enhanced with a review of the latest literature on the topic presented via student projects. The course provides an overview of the global producer and the global consumer. It explores the role of the media. It helps identify opportunities for new goods, services and ideas. |
|
Pełny opis: |
This course's objective is to analyze lifestyles in relation to the new product development particularly in the new, digital and postmodernist context. The course presents an overview of the global producer and the global consumer. It helps identify opportunities for new goods, services and ideas as well as certain new concepts of their creation and production (design, user experience design). It analyses such fields as creative and digital economy, collaborative economy, freeconomics, startups, future of work, fashion sector, design sector, as well as smart, creative, digital cities, referring also to climat challenges and new social identities. |
|
Literatura: |
Literatura podstawowa: J. Rifkin, The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism, St. Martin's Press, 2015; Belk, Russell W., Giana M. Eckhardt, and Fleura Bardhi, eds. Handbook of the sharing economy. Edward Elgar Publishing, 2019; Kravets, Olga, et al., eds. The SAGE handbook of consumer culture. Sage, 2017; Fernandez-Pol, Jorge Eduardo, and Charles Harvie. Understanding the Creative Economy and the Future of Employment. Springer Nature, 2020. Literatura uzupełniająca: Handbook on the Digital Creative Economy (ed.) R. Towse, C. Handke, Edward Elgar, Cheltenham 2013 Matathia I. & Salzman M. (2000), Next. Trends for the Near Future, The Overlook Press, Woodstock, New York; Norman, D.A. (2005) Emotional Design: Why We Love (or Hate) Everyday Things, Basic Books; Rosen E. (2000), The Anatomy of Buzz, Doubleday, New York; |
|
Uwagi: |
Kryteria oceniania: kolokwium: 0.00% inne: 20.00% projekty: 50.00% prezentacje indywidualne lub grupowe: 30.00% |
Zajęcia w cyklu "Semestr zimowy 2023/24" (zakończony)
Okres: | 2023-10-01 - 2024-02-23 |
Przejdź do planu
PN WYK
WT ŚR CZ PT |
Typ zajęć: |
Wykład, 30 godzin
|
|
Koordynatorzy: | (brak danych) | |
Prowadzący grup: | Anna Janowska | |
Lista studentów: | (nie masz dostępu) | |
Zaliczenie: |
Przedmiot -
Ocena
Wykład - Ocena |
|
Skrócony opis: |
The course is a series of lectures which cover the ways of identifying, tracing and exploring new lifestyles and new products. It is enhanced with a review of the latest literature on the topic presented via student projects. The course provides an overview of the global producer and the global consumer. It explores the role of the media. It helps identify opportunities for new goods, services and ideas. |
|
Pełny opis: |
This course's objective is to analyze lifestyles in relation to the new product development particularly in the new, digital and postmodernist context. The course presents an overview of the global producer and the global consumer. It helps identify opportunities for new goods, services and ideas as well as certain new concepts of their creation and production (design, user experience design). It analyses such fields as creative and digital economy, collaborative economy, freeconomics, startups, future of work, fashion sector, design sector, as well as smart, creative, digital cities, referring also to climat challenges and new social identities. |
|
Literatura: |
Literatura podstawowa: J. Rifkin, The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism, St. Martin's Press, 2015; Belk, Russell W., Giana M. Eckhardt, and Fleura Bardhi, eds. Handbook of the sharing economy. Edward Elgar Publishing, 2019; Kravets, Olga, et al., eds. The SAGE handbook of consumer culture. Sage, 2017; Fernandez-Pol, Jorge Eduardo, and Charles Harvie. Understanding the Creative Economy and the Future of Employment. Springer Nature, 2020. Literatura uzupełniająca: Handbook on the Digital Creative Economy (ed.) R. Towse, C. Handke, Edward Elgar, Cheltenham 2013 Matathia I. & Salzman M. (2000), Next. Trends for the Near Future, The Overlook Press, Woodstock, New York; Norman, D.A. (2005) Emotional Design: Why We Love (or Hate) Everyday Things, Basic Books; Rosen E. (2000), The Anatomy of Buzz, Doubleday, New York; |
|
Uwagi: |
Kryteria oceniania: kolokwium: 0.00% inne: 20.00% projekty: 50.00% prezentacje indywidualne lub grupowe: 30.00% |
Właścicielem praw autorskich jest Szkoła Główna Handlowa w Warszawie.