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Introduction of the titles: preliminary analysis, assessment and revision of the selection; critical overview of the themes and genres. Analysis of the linguistic aspect of the course.
"Singin' in the Rain" (1952) - introduction and viewing.
"Singin' in the Rain" - analytical follow-up: a detailed synthesis of the fundamental principles governing the development of the American entertainment industry.
"Singin' in the Rain" - analytical follow-up: introduction, revision and assessment of the philosophy and ethos of the American film industry.
"Citizen Kane" (1941) introduction and viewing.
Citizen Kane analytical follow-up: film noir its origins and its breakthrough value in cinematography.
"Citizen Kane" - analytical follow-up: the historic and innovative importance of the film - detailed analysis of its cinematography in line with its message.
"High Noon" (1952): introduction and viewing.
"High Noon" - analytical follow-up: the concept and importance of Western as a quintessentially American genre; American mythology; cultural sacrum vs profanum; American cultural and historical revisionism; revisionist western.
"12 Angry Men" (1957): introduction and viewing
"12 Angry Men" - analytical follow-up: the cinematographic format; groupthink; group decision-making dynamics; minority influence; fundamental concepts laying foundation to the American legal system and their critical assessment.
"Easy Rider" (1969): introduction and viewing.
"Easy Rider" - analytical follow-up: the verification of the American Dream mythology and fundamental American socio-economic values. Independent cinema.
Analysis of the technical aspects of film-making against the background of American cinematography. The socio-economic foundations of the thematic scope of the selection.
Summary and final analysis of the selection and the course itself.
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